Awards
2019Good Childrenās Book (The Ear)
2018Good Childrenās Book (The Story of the Little House Who Wanted to Be a Home)
2017Good Childrenās Book (All My Relatives)
2014ā2017 Astrid Lindgren Memorial Award candidate
2016Order of the White Star, IV Class
Hans Christian Andersen Award nominee
2015Annual Childrenās Literature Award of the Cultural Endowment of Estonia (The Story of Sander, Muri, Eensy Mum, and the Invisible Aksel)
Good Childrenās Book (The Story of Sander, Muri, Eensy Mum, and the Invisible Aksel)
Lire ici et lĆ (Slightly Silly Stories)
2014"JƤrje Hoidja" Award of the Tallinn Central Library (Princesses with a Twist)
2013The White Ravens (Three Wishes)
2012IBBY Honour List (Princess Lulu and Mr. Bones)
Good Childrenās Book (Slightly Silly Stories)
2011Children and Young Adult Jury (BÄrnu un jaunieÅ”u žūrija), Latvia, 1st place (Grades 3-4) (Princess Lulu and Mr. Bones)
2010The White Ravens (Mister Birdās Story)
Good Childrenās Book (Tobias, Second Grade)
2009Estonian Childrenās Literature Centre Raisin of the Year Award (Mister Birdās Story)
Good Childrenās Book (Princess Lulu and Mr. Bones)
2008Annual Childrenās Literature Award of the Cultural Endowment of Estonia (Princess Lulu and Mr. Bones)
2005Annual Childrenās Literature Award of the Cultural Endowment of Estonia (Sanna and the Poachers)
2004Childrenās Story competition "My First Book", 1st place (Ernestoās Rabbits)
Essay
Piret Raud (1971) is one of the most outstanding authors of modern-day Estonian childrenās literature, both in terms of diversity and recognition. The author originates from a highly cultural background, which explains a thing or two: her mother Aino Pervik and father Eno Raud are some of the most renowned and loved fairy-tale authors in Estonian childrenās literature. Taking account of Piretās success foremost in book illustration, one is also reminded of her aunt on her fatherās side ā Anu Raud, who is a highly esteemed textile artist.
As such, several great talents hovered above Piretās crib when she was born into this world in 1971. Studies at the Estonian Academy of Art gave her a masterās degree in graphic design. Piret appeared on the Estonian childrenās literature scene in 1994 with illustrations for her motherās Ainoās book
Keeruline lugu (
A Complicated Story), and her father Enoās 1997 work
Kala kƵnnib jala (
A Fish Takes a Walk).
By now, we can speak of Piret as a graphic designer for books, a writer, a journalist (she was an editor for childrenās magazine
TƤheke for some time), as well as an art teacher.
As an illustrator, Piret has received an enormous amount of praise both in Estonia and abroad. She has received awards such as certificates for the
25 Best Designed Estonian Books and 5 Best Designed Estonian Childrenās Books; has participated in international exhibitions and competitions such as the Baltic Statesā Book Art Competition, the Tallinn Illustration Triennial, and the Bologna Book Fair; has been awarded the Estonian National Libraryās
Golden Book Award, as well as the Estonian Childrenās Literature Centerās title of āRaisin of the Yearā for Most Interesting Childrenās Publication (
HƤrra Linnu lugu,
Mr. Birdās Story, 2009). As Piret has been both a writer and an artist for several of her books, both of those aspects are also blended in a number of the honors she has received.
As a writer, Piret Raud has received the Annual Childrenās Literature Award of the Cultural Endowment of Estonia on three occasions: for her books
Sanna ja salakĆ¼tid (
Sanna and the Poachers, 2005),
Printsess Luluu ja hƤrra Kere (
Princess Lulu and Mr. Bones, 2008) and
Lugu Sandrist, Murist, tillukesest emmest ja nƤhtamatust Akslist (The Story of Sander, Muri, Eensy Mum, and the Invisible Aksel, 2015). Piret Raud has been put onto the IBBY Honour List as the writer of
Princess Lulu and Mr. Boneyā.
In illustration work, Piret Raudās style can be characterized via three types: while her earlier works were full-design picture surfaces, a picturesque and occasionally surreal background (
A Complicated Story) supporting on carefully-drawn details, the artist has moved forward in a laconic direction. A large number of childrenās books have been published with only black-and-white illustrations, such as Ellen Niitās poetry collection and her mother Aino Pervikās series āPaulaās Lifeā. At the same time, those sometimes extremely small black-and-white pictures are drawn with an extremely sharp mind, masterfully, so that every detail is rich in meaning. The synergy of picture and text in the āPaulaās Lifeā series is characterized as a graphic mini-short-story, so significantly does the picture support and amplify the message of the text. In her current creative phase, Piret prefers to leave color pictures on a white background, allowing the drawingās playfulness, humor, and fine grotesques to be brought out.
We see a dominance of fairy-tale-type stories in Piretās writing, yet the true story
Tobias ja teine B (
Tobias, Second Grade) is also very important alongside that tendency. The miniature multimedia work
Emma roosad asjad (
Emma Loves Pink) is an utterly unique achievement. Piret Raudās fantasy deals very clearly with contemporary real-life issues in fairy-tale form: with unemployment, homelessness, uncertainty, the power of money and corruption, etc. Why? The writer has replied: āI suppose that I think about those things myself, and theyāre reflected in my books. But I do believe that one can talk to children about such things already at an early age. All of the news and life in the whole world reaches them in the same way as it does adults. So, itās good if the side of goodness and justice is supported in a book somewhere.ā
Even the miniscule fairy tale about Emmaās love for pink things is quite true to life: no matter that Emma only enjoys pink things ā a green cabbage brought by her green frog friend changes her outlook!
Mare MĆ¼Ć¼rsepp28.11.2012